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FOCUS | Cornrows and Cultural Appropriation: The Truth About Racial Identity Theft Print
Written by <a href="index.php?option=com_comprofiler&task=userProfile&user=33264"><span class="small">Kareem Abdul-Jabbar, TIME</span></a>   
Thursday, 27 August 2015 10:48

Abdul-Jabbar writes: "Is the current cornrow controversy much hairdo about nothing? Or a gateway crime against black culture that includes stealing everything from music to art to clothes to language?"

Kareem Abdul-Jabbar. (photo: Andrew D. Bernstein/NBAE/Getty Images)
Kareem Abdul-Jabbar. (photo: Andrew D. Bernstein/NBAE/Getty Images)


Cornrows and Cultural Appropriation: The Truth About Racial Identity Theft

By Kareem Abdul-Jabbar, TIME

27 August 15

 

Whether it’s a hairstyle or jazz music, there’s a difference between honoring a culture and stealing from it

s the current cornrow controversy much hairdo about nothing? Or a gateway crime against black culture that includes stealing everything from music to art to clothes to language? Cornrows are just the tip of the follicle, but because so many white celebrities have adopted this hairstyle, it has become the public platform to discuss the broader topic of cultural appropriation. Celebrities who have exhibited cornrows include Fergie, Gwen Stefani, Heidi Klum, Paris Hilton, Justin Timberlake, Jared Leto, David Beckman, and, more recently, Lena Dunham, Kendall Jenner, Kylie Jenner, and Kim Kardashian. Several of them have taken heat for popping the cornrow, and prompted some African-Americans to accuse the dominant white American culture of stealing cherished icons of identity from the subjugated black culture. Kind of like wearing the teeth of your pillaged enemy as a necklace.

Most white Americans would agree that the influence of black culture on America is significant. Without the black swing, blues, and jazz musicians, there is no Elvis or Jerry Lee Lewis or rock ‘n’ roll. And the influence is evident in all aspects of American culture, from fashion to food, from language to literature. What most white Americans won’t agree with is that there is anything wrong with that. In fact, they would argue that such assimilation of ethnic influences has occurred with every immigrant group in America, whether Latino or Irish or Vietnamese. They would argue that it is a symbol of American inclusion that we so readily embrace these foreign influences into our culture. The melting pot and so forth. American culture is not appropriating anything—that would be stealing!—it’s honoring black culture through homage. America acknowledges the influence and gives the influencers full credit. And, after all, isn’t weaving black culture into mainstream American culture the best way to end racism? Are cornrows the ambassador to racial equality or just another version of Al Jolson mammying in blackface?

One very legitimate point is economic. In general, when blacks create something that is later adopted by white culture, white people tend to make a lot more money from it. Certainly, one can see why that’s both annoying and disheartening. Through everything from access to loans to education, systemic racism has created a smoother path to economic success for whites who exploit what blacks have created. It feels an awful lot like slavery to have others profit from your efforts.

Loving burritos doesn’t make someone less racist against Latinos. Lusting after Bo Derek in 10 doesn’t make anyone appreciate black culture more. So, the argument that appropriation is the same as assimilation doesn’t hold up. Appreciating an individual item from a culture doesn’t translate into accepting the whole people. While high-priced cornrows on a white celebrity on the red carper at the Oscars is chic, those same cornrows on the little black girl in Watts, Los Angeles, are a symbol of her ghetto lifestyle. A white person looking black gets a fashion spread in a glossy magazine; a black person wearing the same thing gets pulled over by the police. One can understand the frustration.

Another aspect that infuriates many African-Americans: what white culture deems worthy to borrow is often so narrow that it perpetuates negative stereotypes rather than increases racial appreciation. Underwear sticking out of pants? Hip-hop language? Twerking? An unintended byproduct is that white people, feeling aglow in One-Worldness brought on by taking a hip-hop exercise class, forget the serious state of racial inequality that still exists and needs to be constantly addressed. In the face of being shamed and persecuted, African-Americans have cultivated art and fashion to maintain pride in who they are, so to see other cultures take this and profit from it while still allowing the shame and persecution to persist makes us want to holler.

Having said all that, here’s the harsh reality. Whether we call it cultural appropriation, assimilation, exploitation, homage, plundering or honoring, it will continue to happen unabated or affected by complaints and protests. Sure, some products, like ones featuring the Confederate flag, can’t seriously claim to be an homage, so public outcry is more effective in eliminating them. But for the most part, Culture is a ravenous beast that consists of many commercial outlets that need to sell consumer goods. Music, movies, clothes, books, art, etc., are the products that keep the beast alive, but they have to evolve in order to do so. Because of that, all non-mainstream cultures are subject to being looted for inspiration to create new goods to sell.

It is some consolation that, on a smaller scale, African-Americans have been able to do some cultural appropriation of their own. Once upon a time, professional sports were all white. Today, more than 77% of NBA players and 67.3% in the NFL are black. From 1950 to 2009, 81 percent of Billboard’s Top 10 bestselling albums were from non-white or mixed-race groups of artists. This shift will continue over the coming decades. The Census Bureau estimates that by 2060, 56% of the population will belong to racial and ethnic minorities—a minority majority. With each subsequent generation, cultural icons truly will be based on assimilation, not appropriation.

“Almost cut my hair,” Crosby, Stills, Nash & Young sang in 1970 about a long-haired boy suffering from an identity crisis. Cutting his hair would be to turn his back on the cultural revolution happening at the time in order to seek comfort in rejoining the social norms he doesn’t believe in. In the end, he doesn’t cut his hair because, “I feel like I owe it to someone.” It’s just hair, it grows. But, like cornrows, it is symbolic of a cultural identity that does not want to be homogenized—like Pat Boone’s 1956 sleepy version of Little Richard’s dynamic “Tutti Frutti.” Wop bop a loo bop a lop ba ba, indeed!

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A Rigged Economy Print
Written by <a href="index.php?option=com_comprofiler&task=userProfile&user=36361"><span class="small">Robert Reich, Robert Reich's Facebook Page</span></a>   
Thursday, 27 August 2015 08:28

Reich writes: "Seventy-seven million boomers are within sight of retirement - and most don't have nearly what they'll need for retirement."

Robert Reich. (photo: Richard Morgenstein)
Robert Reich. (photo: Richard Morgenstein)


A Rigged Economy

By Robert Reich, Robert Reich's Facebook Page

27 August 15

 

eventy-seven million boomers are within sight of retirement – and most don’t have nearly what they’ll need for retirement. Social Security covers a decreasing portion. They haven’t been able to save because their real wages have flattened over their lifetimes and the Great Recession drained whatever savings they had.

Right-wingers want to make this a generational battle between boomers and Millennials – the same “divide-and-conquer” strategy the right has used over race, ethnicity, the middle class and the poor, unionized versus non-unionized, public employee versus private employee.

But the real problem is a rigged economy that for decades has siphoned off almost all economic gains to the top. Forty years ago defined benefits were the normal pension. Twenty years ago, defined contributions were the norm. Now it’s do-it-yourself.

I’m speaking today to the National Conference on Employee Retirement Systems, and including their report below.

Seventy-seven million boomers are within sight of retirement – and most don’t have nearly what they’ll need for...

Posted by Robert Reich on Tuesday, August 25, 2015

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How to Respond to the Latest Mass Shooting Print
Written by <a href="index.php?option=com_comprofiler&task=userProfile&user=32445"><span class="small">Jeb Lund, Rolling Stone</span></a>   
Thursday, 27 August 2015 08:26

Lund writes: "The utterly thinkable has happened again, and so soon that you probably do not have any novel means of examining either your exhaustion or despair, presuming you're capable of still feeling either."

Journalists Alison Parker and Adam Ward were shot on-air Wednesday morning. (photo: Alison Parker/Facebook)
Journalists Alison Parker and Adam Ward were shot on-air Wednesday morning. (photo: Alison Parker/Facebook)


How to Respond to the Latest Mass Shooting

By Jeb Lund, Rolling Stone

27 August 15

 

Everyone must have a take — so here are some options you might consider

ednesday morning, a former employee of a Virginia TV news station waited until two of his former colleagues were live on air, then filmed himself raising a gun and shooting them both dead. He uploaded the videos to Twitter before committing suicide. It is the first mass shooting since [scroll back in your social media timelines to a week ago, assuming you have to go that far].

The utterly thinkable has happened again, and so soon that you probably do not have any novel means of examining either your exhaustion or despair, presuming you're capable of still feeling either. More likely, you've been reduced — by the relentless frequency of a politically tolerated and protected form of American death — to the sort of indifference every parent experiences when hearing, "Hey, mom! Watch this!" before her child does his umpteenth cannonball off the diving board. Nod, go back to looking at your smartphone. Just replace the splashes with gunshots.

But since we're all live-curating existence now, everyone from average citizens to corporate newsrooms has to say something. National events have given, and now you must take — a hot take, pity take, concern-troll take, just take it already. What does it say about your brand presence within the metadialogue if you let the killer have the last vlog? 

With that in mind, here are some options you might consider.

1. "Don't politicize this!"

Always a good take, and it involves ethical analysis as weighty as Galileo measuring the fall of a feather compared to a feather. I don't mean you shouldn't politicize this tragedy, of course – far from it. You should just shout that at everyone else. The net effect of stating that someone else should not politicize an event is declaring that their political opinion about it is unwelcome, crass, predatory or invalid. You can shame them for capitalizing on something terrible and get away with silencing someone else's opinion without offering one yourself and thus implicitly state that your unspoken view is the only reasonable response. Don't worry about seeming ethically inconsistent on this. Your refusal to countenance political calls for disarming Americans will work just as well even if you've spent the last month screaming about the sanctity of human life and calling for the end of federally funded abortions by a group that doesn't perform abortions with federal funds, all because you saw some edited videotapes created by Dr. Nick Riviera's Fetus Defense Hut. Human life is serious business, especially if someone you agree with has FinalCut Pro. If someone you disagree with has a Vine, we must wait the appropriate amount of time until most fellow Americans are no longer thinking about this.

2. Blame black people.

This is a great move, because nobody will think this statement is racist when you've already made it clear during every other shooting that shootings are never about race. But you may want to tease this take out a little, develop it, really come at it from all sorts of angles, because the historically extremely ethical Breitbart.com already ran with this:

Yes, the shooter allegedly faxed a "manifesto" about avenging those slain in the Charleston massacre, but he also blamed bullying, homophobia and sexual harassment. And surely all those white shooters who were troubled, lone gunman, separatists or disgruntled tell us that no one actor is representative of his race or the motives of the same. No matter, if you happen to be conservative, focusing on the shooter's race takes care of all your problems for you, because the problem is now a black person, just like all the other problems. Did someone — whether mentally ill, with a prior conviction, or a sane, upstanding citizen fully permitted through every legal process — use a device for its intended purpose of hurling lethal force into an organism? Yeah, sure, but he was black. Bing, bang, boom, we're done here. Just to be safe, throw up some I'm not racist! chaff about Chicago and black-on-black shooting deaths — because then that also makes black people other black people's problem — and close with head-shaking at how this kind of militancy is all too common and undermines the message of black activists you would be willing to sit down with, like Martin Luther King, Jr. 

3. Maybe question how much to air images of the killer.

There is a giant gulf between allowing events to fall down the memory hole and going balls to the wall broadcasting them for weeks until they become the unofficial incidental music of everyone's existence. And while the jury's still out on whether repeated images of tragedies and killers romanticize them and encourage copycatting, it's questionable what value anyone got from two weeks of turning on CNN after the Charleston massacre and seeing Dylann Roof's bowl-cut teen-sneering, like Peter Tork was raised with extra chromosomes and copies of The Turner Diaries. Sure, mock CNN's coverage of the disappearing plane all you like, but at least leading with that for every hour for half of 2014 wasn't going to inspire someone to David Copperfield an airliner or cause a frisky Airbus to vanish as a prank, just because Don Lemon was wondering if Malaysia Flight #24/7 might have been "swallowed" by a black hole. Maybe we all have a unique vision of where this point lies, but there's a difference between honoring a historical record and trying to get someone to stop for 30 seconds to watch your ominous black-and-white photos and BREAKING: SHOOTING chyrons on their way to baggage claim. If you're Fox News, ignore #3 and return to #2.

4. Question what refusing to make the shooting footage available says.

It needn't run on every broadcast or even any. Anchors can note that it is available at the network's website or YouTube channel, and viewers and readers can decide for themselves. Because one effect of shootings — in homes, in movie theaters, in schools, in shops and on military bases — is the sense that they always happen someplace else. Sometimes it's as if they didn't happen at all; our lives resume their normalcy mere seconds after the ever-diminishing moments of shock at another tragedy subsides. There are always screaming citizens in the aftermath; maybe someone finds a still image taken by a security camera, or a grainy loop of the same, without audio. Often the images are in black-and-white, rendering the victims of carnage in them as distant as a doughboy in the First World War. But the effect is the same. This was somewhere else, it wasn't fully real. Yes, they had families and friends, but they aren't fully real people. And if you're right-wing media trading in point #2, that goes double.

But Alison Parker and Adam Ward died on TV, in full color, with full audio, and you can see the full scope of their death with as little mediation as possible. You can see that there was no good guy with a gun there. There wasn't a schoolteacher or another person on campus or a sweating maniac in a Minutemen shirt holding an AR-15 scanning the horizons for ISIS and spying this tragedy in time. Wayne LaPierre didn't sprint out of his limousine at the last second to throw his center mass between Parker and the shooter. Instead, the killer raised his gun, waiting to be noticed, for shock at the power he was capable of and about to unleash — waiting to be seen unstoppably doing what he wanted done. Notice didn't come, and he shot anyway.

No one should be forced to see this, and it shouldn't lead every hour of the day, but it should be there, and acknowledged. Because it is real, and Parker and Ward were, too, realer than the scores of thousands already killed and forgotten since Sandy Hook. They were any two people who could have had a conversation outside, looking at anything, absorbed in communicating with others and each feeling the right to which we all are entitled — to work or socialize without being obliged to always assess our risk at anywhere from five to 500 yards. They were as real and vulnerable in their utter normalcy as you or I are, and the sight and sound of them dying is the terminal convergence of the policies that we endorse and allow to endure in this country. This is how we live now, and this is how we die now. If we are unable to witness what we permit either through our philosophy or our indifference or our leaders' indolence, then it is no longer something we should claim to defend.

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Want to Hunt Exotic African Animals? Just Go to Texas Print
Thursday, 27 August 2015 08:12

Masri writes: "American hunters can legally kill threatened - and even endangered - animals such as zebras, giraffes and rare African antelope, without ever leaving the United States."

Giraffe gather at a water hole in Zimbabwe's Hwange National Park, August 2, 2015. (photo: Philimon Bulawayo/Reuters)
Giraffe gather at a water hole in Zimbabwe's Hwange National Park, August 2, 2015. (photo: Philimon Bulawayo/Reuters)


Want to Hunt Exotic African Animals? Just Go to Texas

By Lena Masri, Reuters

27 August 15

 

f American dentist Walter Palmer — who may face poaching charges for killing Cecil the lion in Zimbabwe — was so inclined, he could have saved himself time and money and trouble by killing an exotic African animal right here at home.

Talk about convenience! American hunters can legally kill threatened — and even endangered — animals such as zebras, giraffes and rare African antelope, without ever leaving the United States.

Dozens of ranches in Texas and Florida offer hunting of exotic and threatened animals, and they’re easy to find on the Internet. For a so-called “trophy fee” of $4,750 you can kill a zebra. For $5,000 you can kill an addax antelope and for $2,500 you can kill a blackbuck. Ranch owners buy these animals from zoos or circuses, then breed them with the purpose of being killed by game hunters.

“If you would like to hunt African Game, but do not want to endure the long plane ride, you can do so at RHR in Florida,” the Ross Hammock Ranch’s website reads. Many of the sites include images of fathers and young sons next to the animals they’ve killed.

Hunters have different reasons for visiting these ranches. Some are looking to kill a mature male animal, cut its head off and hang it on a wall as a trophy. Others look for young female animals because their meat is more delicious.

Hunting associations say these ranches help to conserve endangered animals that would otherwise become extinct — because as long as ranch owners are making money on these threatened animals, they will keep breeding them. Animal rights advocates challenge this logic on the basis that the animals are bred to be killed — and view these hunters as cruel, lazy and cowardly.

One thing is certain: Hunting exotic animals on ranches in Texas and Florida is legal, according to both state and federal law. If the species is protected by the Endangered Species Act, it falls under the mandate of the U.S. Fish and Wildlife Service.

But many exotic animals such as the threatened African lion are not protected by the Act. That means that it is legal to hunt lions, Grant’s zebras, giraffes and a large number of other exotic animals on ranches in the United States. Furthermore, the U.S. Fish and Wildlife Service has given some ranches permission to breed and hold captive exotic animals that are registered in the Act. So on some ranches hunters can legally hunt dama gazelles, scimitar-horned oryxes, Arabian oryxes, red lechwes, barasinghas and addax antelopes, even though they are all considered endangered.

If an animal isn’t included on the Endangered Species list, states determine whether or not they can be hunted. The state of Texas, for example, only lists animals as endangered or threatened if they are native to Texas, according to Steve Lightfoot, spokesperson for the Texas Parks & Wildlife Department. Florida allows exotic hunting, but requires a Game Farm License for captive rearing of both native and nonnative game birds and game mammals.

“We follow the game rules. We don’t do anything unethical,” said Christopher Clark, owner of the Circle Double C Ranch in Texas, which offers hunting of exotic animals like the endangered scimitar-horned oryx. Most of the exotic animals were born on the ranch, bred from animals that were bought from the San Diego Zoo, Clark said.

At Clark’s ranch, men, women, families and kids are welcome to hunt zebras or other exotic animals, simply by choosing a weekend. A guide will accompany guests on the hunt and help them track down the animal they desire. If a guest kills or wounds the animal, the guest pays. Otherwise, the visit is free, said Clark. Guests can hunt with a high power rifle or use a bow and arrow. It’s a personal preference.

“Hunters who do this are very lazy and have a lot of money,” said Priscilla Feral, president of Friends of Animals, a nonprofit animal advocacy group. “They want a trophy so it looks as though they have been on an African safari, but without having to pay the price of going to Africa. They think that stealing the life of an exotic animal makes them feel powerful. It’s a degrading, violent activity that offers nothing to the well-being of animals and nothing to conservation.”

But if you ask Ben Carter, executive director of the Dallas Safari Club, hunting is just a natural human instinct.

“We are hunters from the time man evolved on the planet,” he said.  “It’s in our genes.”

He said that people sometimes forget that grocery stores are filled with dead animals.

“People look at wildlife as having a higher life value than a chicken and a cow,” he said. “At least wild animals on ranches usually get to live a life that is very similar to what they would anywhere else.”

Hunting is all about the experience, even when you don’t actually shoot an animal — just like climbing a mountain, even if you don’t reach the top, Carter said. And hunting helps keep some threatened species around for future generations, he argued.

“The only place that some of those species are thriving are these ranches and they are thriving because of hunting,” he said. “If it were not for exotic game ranches, they would be completely gone.”

Ashley Byrne, campaign specialist for People for the Ethical Treatment of Animals, calls that argument “absurd.”

“Because we know that on these ranches the animals are bred to be killed,” she said. “The ranch owners are doing nothing to help the animals’ native populations or their proper ecosystems.”

Breeding exotic animals only serves the purpose of making money for the ranch owners and the animals have no chance of escape, she said.

“People who kill them are cowardly and cruel,” she said. “To get a thrill from shooting down a canned animal is just repulsive. Many of the animals are so tame that people can walk right up to them. They have absolutely no chance.”


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Jorge Ramos Commits Journalism, Gets Immediately Attacked by Journalists Print
Written by <a href="index.php?option=com_comprofiler&task=userProfile&user=29455"><span class="small">Glenn Greenwald, The Intercept</span></a>   
Wednesday, 26 August 2015 13:25

Greenwald writes: "The Republican candidate leading every poll, Donald Trump, recently unveiled his plan to forcibly deport all 11 million human beings residing in the U.S. without proper documentation, roughly half of whom have children born in the U.S. (and who are thus American citizens)."

Glenn Greenwald. (photo: PBS)
Glenn Greenwald. (photo: PBS)


Jorge Ramos Commits Journalism, Gets Immediately Attacked by Journalists

By Glenn Greenwald, The Intercept

26 August 15

 

he Republican presidential candidate leading every poll, Donald Trump, recently unveiled his plan to forcibly deport all 11 million human beings residing in the U.S. without proper documentation, roughly half of whom have children born in the U.S. (and who are thus American citizens). As George Will noted last week, “Trump’s roundup would be about 94 times larger than the wartime internment of 117,000 persons of Japanese descent.” It would require a massive expansion of the most tyrannical police state powers far beyond their already immense post-9/11 explosion. And that’s to say nothing of the incomparably ugly sentiments which Trump’s advocacy of this plan, far before its implementation, is predictably unleashing.

Jorge Ramos, the influential anchor of Univision and an American immigrant from Mexico, has been denouncing Trump’s anti-immigrant rhetoric. Yesterday at a Trump press conference in Iowa, Ramos stood and questioned Trump on his immigration views. Trump at first ignored him, then scolded him for speaking without being called on and repeatedly ordered him to “sit down,” then told him: “Go back to Univision.” When Ramos refused to sit down and shut up as ordered, a Trump bodyguard physically removed him from the room. After the press conference concluded, Ramos returned and again questioned Trump about immigration, with the two mostly talking over each other as Ramos asked Trump about the fundamental flaws in his policy. Afterward, Ramos said: “This is personal . . . he’s talking about our parents, our friends, our kids and our babies.”

One might think that in a conflict between a journalist removed from a press conference for asking questions and the politician who had him removed, journalists would side with their fellow journalist. Some are. But many American journalists have seized on the incident to denounce Ramos for the crime of having opinions and even suggesting that he’s not really acting as a journalist at all.

Politico‘s political reporter Marc Caputo unleashed a Twitter rant this morning against Ramos. “This is bias: taking the news personally, explicitly advocating an agenda,” he began. Then: “Trump can and should be pressed on this. Reporters can do this without being activists” and “some reporters still try to approach their stories fairly & decently. & doing so does not prevent good reporting.” Not only didn’t Ramos do journalism, Caputo argued, but he actually ruins journalism: “My issue is his reporting is imbued with take-it-personally bias. . . .  we fend off phony bias allegations & Ramos only helps to wrongly justify them. . . .One can ask and report without the bias. I’ve done it for years & will continue 2 do so.”

Washington Post article about the incident actually equated the two figures, beginning with the headline: “Jorge Ramos is a conflict junkie, just like his latest target: Donald Trump.” The article twice suggested that Ramos’ behavior was something other than journalism, claiming that his advocacy of immigration reform “blurred the line between journalist and activist” and that “by owning the issue of immigration, Ramos has also blurred the line between journalist and activist.” That Ramos was acting more as an “activist” than a “journalist” was a commonly expressed criticism among media elites this morning.

Here we find, yet again, the enforcement of unwritten, very recent, distinctively corporatized rules of supposed “neutrality” and faux objectivity which all Real Journalists must obey, upon pain of being expelled from the profession. A Good Journalist must pretend they have no opinions, feign utter indifference to the outcome of political debates, never take any sides, be utterly devoid of any human connection to or passion for the issues they cover, and most of all, have no role to play whatsoever in opposing even the most extreme injustices.

Thus: you do not call torture “torture” if the U.S. Government falsely denies that it is; you do not say that the chronic shooting of unarmed black citizens by the police is a major problem since not everyone agrees that it is; and you do not object when a major presidential candidate stokes dangerous nativist resentments while demanding mass deportation of millions of people. These are the strictures that have utterly neutered American journalism, drained it of its vitality and core purpose, and ensured that it does little other than serve those who wield the greatest power and have the highest interest in preserving the status quo.

What is more noble for a journalist to do: confront a dangerous, powerful billionaire-demagogue spouting hatemongering nonsense about mass deportation, or sitting by quietly and pretending to have no opinions on any of it and that “both sides” are equally deserving of respect and have equal claims to validity? As Ramos put it simply, in what should not even need to be said: “I’m a reporter. My job is to ask questions. What’s ‘totally out of line’ is to eject a reporter from a press conference for asking questions.”

Indeed, some of the most important and valuable moments in American journalism have come from the nation’s most influential journalists rejecting this cowardly demand that they take no position, from Edward R. Murrow’s brave 1954 denunciation of McCarthyism to Walter Cronkite’s 1968 refusal to treat the U.S. Government’s lies about the Vietnam War as anything other than what they were. Does anyone doubt that today’s neutrality-über-alles journalists would denounce them as “activists” for inappropriately “taking a side”?

As Jack Shafer documented two years ago, crusading and “activist” journalism is centuries old and has a very noble heritage. The notion that journalists must be beacons of opinion-free, passion-devoid, staid, impotent neutrality is an extremely new one, the by-product of the increasing corporatization of American journalism. That’s not hard to understand: one of the supreme values of large corporations is fear of offending anyone, particularly those in power, since that’s bad for business. The way that conflict-avoiding value is infused into the media outlets which these corporations own is to inculcate their journalists that their primary duty is to avoid offending anyone, especially those who wield power, which above all means never taking a clear position about anything, instead just serving as a mindless, uncritical vessel for “both sides,” what NYU Journalism Professor Jay Rosen has dubbed “the view from nowhere.” Whatever else that is, it is most certainly not a universal or long-standing principle of how journalism should be conducted.

The worst aspect of these journalists’ demands for “neutrality” is the conceit that they are actually neutral, that they are themselves not activists. To be lectured about the need for journalistic neutrality by Politico of all places – the ultimate and most loyal servant of the DC political and corporate class – by itself illustrates what a rotten sham this claim is. I set out my argument about this at length in my 2013 exchange with Bill Keller and won’t repeat it all here; suffice to say, all journalism is deeply subjective and serves some group’s interests. All journalists constantly express opinions and present the world in accordance with their deeply subjective biases – and thus constantly serve one agenda or another – whether they honestly admit doing so or dishonestly pretend they don’t.

Ultimately, demands for “neutrality” and “objectivity” are little more than rules designed to shield those with the greatest power from meaningful challenge. As BuzzFeed’s Adam Serwer insightfully put it this morning “‘Objective’ reporters were openly mocking Trump not that long ago, but Ramos has not reacted to Trump’s poll numbers with appropriate deference . . . . Just a reminder that what is considered objective reporting is intimately tied to power or the perception of power.” Expressing opinions that are in accord with, and which serve the interests of, those who wield the greatest political and economic power is always acceptable for the journalists who most tightly embrace the pretense of “neutrality”; it’s only when an opinion constitutes dissent or when it’s expressed with too little reverence for the most powerful does it cross the line into “activism” and “bias.”

(Ramos’ supposed sin of being what the Post called a “conflict junkie” – something that sounds to be nothing more than a derogatory way of characterizing “adversary journalism” – is even more ridiculous. Please spare me the tripe about how Ramos’ real sin was one of rudeness, that he failed to wait for explicit permission from the Trumpian Strongman to speak. Aside from the absurdity of viewing Victorian-era etiquette as some sort of journalistic virtue, Trump’s vindictive war with Univision made it unlikely he’d call on Ramos, and journalists don’t always need to be “polite” to do their jobs.

Beyond that, whether a reporter must be deferential to a politicians is one of those questions on which people shamelessly switch sides based on which politician is being treated rudely at the moment, as the past liberal protests over the “rudeness” displayed to Obama by conservative journalists demonstrate. That Ramos is not One of Them – Joe Scarborough appeared not even to know who Ramos is and suggested he was just seeking “15 minutes of fame,” despite Ramos’ having far greater influence and fame than Scarborough could dream of having – clearly fueled the journalistic resentment that Ramos’ behavior was out of line).

What Ramos did here was pure journalism in its classic and most noble expression: he aggressively confronted a politician wielding a significant amount of power over some pretty horrible things that the politician is doing and saying. As usual when someone commits a real act of journalism aimed at the most powerful in the U.S., those leading the charge against him are other journalists, who so tellingly regard actual journalism as a gauche and irreverent crime against those who wield the greatest power and thus merit the greatest deference.

UPDATE: Caputo, while noting that he disagrees with many of the views in this article, objects to one phrase in particular and sets forth his objection here. I quoted and/or linked to all of his referenced statements and am happy to allow readers to decide if that one phrase was accurate. I am quite convinced it was and stand by it.

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