The Play's the Thing

By Chris Hedges, TruthDig

16 December 13

began teaching a class of 28 prisoners at a maximum-security prison in New Jersey during the first week of September. My last class meeting was Friday. The course revolved around plays by August Wilson, James Baldwin, John Herbert, Tarell Alvin McCraney, Miguel Piñero, Amiri Baraka and other playwrights who examine and give expression to the realities of America's black underclass as well as the prison culture. We also read Michelle Alexander's important book "The New Jim Crow: Mass Incarceration in the Age of Colorblindness." Each week the students were required to write dramatic scenes based on their experiences in and out of prison.

My class, although I did not know this when I began teaching, had the most literate and accomplished writers in the prison. And when I read the first batch of scenes it was immediately apparent that among these students was exceptional talent.

The class members had a keen eye for detail, had lived through the moral and physical struggles of prison life and had the ability to capture the patois of the urban poor and the prison underclass. They were able to portray in dramatic scenes and dialogue the horror of being locked in cages for years. And although the play they collectively wrote is fundamentally about sacrifice-the sacrifice of mothers for children, brothers for brothers, prisoners for prisoners-the title they chose was "Caged." They made it clear that the traps that hold them are as present in impoverished urban communities as in prison.

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