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Coal No Longer Fuels America. But the Legacy - and the Myth - Remains.
Tuesday, 11 July 2017 08:13

Heller writes: "Coal mining, celebrated with rhinestones and pageantry, is an enduring legacy rather than a thriving enterprise. Which is coal country's problem, and the challenge for its boosters."

A worker unloads a pile of coal at a mine. (photo: AP)
A worker unloads a pile of coal at a mine. (photo: AP)


Coal No Longer Fuels America. But the Legacy - and the Myth - Remains.

By Karen Heller, The Washington Post

11 July 17

 

oone County claims to be the birthplace of America’s coal industry, the rich and abundant black rock discovered in these verdant hills almost three centuries ago. Coal gives name to nearly everything in these parts — the Big and Little Coal rivers, the weekly Coal Valley News, the wondrous Bituminous Coal Heritage Foundation Museum and the West Virginia Coal Festival, celebrating, as we arrive in town, its 24th year.

The festival is more state fair than true celebration of coal. There’s a carnival, a talent competition, seven beauty queens (from Little Miss Coal Festival to Forever West Virginia Coal Queen).

Late in the afternoon of the second day, high on a hill graced with the statue of a miner, there’s a small memorial service for the West Virginia men who died on the job over the previous year. The most recent was 32-year-old Rodney Osborne, pinned by mining equipment on June 14. The total deaths are five, fewer than the number of Miss Coal Festivals who wilt in the heat on the steps of the neoclassical courthouse, draped in charcoal-black sashes. No coal executives bother to show up, nor any reps from the once-robust union.

Coal mining, celebrated with rhinestones and pageantry, is an enduring legacy rather than a thriving enterprise. Which is coal country’s problem, and the challenge for its boosters. We’re stuck on the idea of coal, its potent history and Walker Evans imagery, although much of the world has moved on.

But not Boone County. Not yet.

“We’re keeping our heritage alive. We don’t want it to be a dying industry,” says Delores W. Cook, titularly the festival’s vice president/treasurer/assistant director but in fact its true sovereign. “This has been a way of life for people in West Virginia, keeping the lights on for all of the United States, for many, many years.”

Cook adjusts her meringue of hair. She’s a coal miner’s daughter, a distinction residents declare in introductions, akin to being the child of a veteran with a proud chest of medals.

Her late husband, Dennis “De” Cook — every miner seems to sport a diminutive — worked coal “42 and a half years,” she says, making sure every last month is honored. De’s hard hat, plastered with union and company stickers, adorns a cross at the courthouse event, removed from its customary place atop a museum mannequin.

Boone’s fortunes rose and subsequently plummeted along with the industry. But coal’s grip holds hard, a source of revenue that the state has been slow to replace. Fewer than 700 county residents worked the mines last year. The school district is Boone’s largest employer, but it was forced to lay off 150 workers when income from the severance tax on coal extraction last year dropped to a fifth of what it was less than a decade ago.

Decades past its heyday, and despite the availability of cleaner and more widely used energy resources, coal is enjoying its moment in politics, culture and the environmental debate. It has assumed a prominence in our national conversation far greater than its current consumption: 15 percent of America’s energy resources, producing about a third of all electricity. It’s as though we had revived a discussion about locomotives. Fracking, recently a constant in the news, has been relegated to the back burner. Oil, too.

Coal dominated the energy debate during the presidential campaign, embraced by Donald Trump and dismissed as obsolete by Hillary Clinton.

“We’ve got to move away from coal and all the other fossil fuels,” said the Democratic candidate, promptly rendering her a pariah here.

Coal is an idea some Americans can’t quit, although it employed fewer than 66,000 miners in 2015. The Kohl’s department store chain has more than twice as many workers.

But retail doesn’t play as powerfully in the American imagination, launching stories, inspiring music, forging identity. “Entire communities were formed to mine” coal, says Barbara Freese, author of “Coal: A Human History.” “Coal created its own geographical area and culture.”

The mountainous sweep of Appalachia seized the spotlight, mined for gold by journalists who had miscalculated Trump’s ascendancy and the region’s pivotal role in his election. J.D. Vance’s memoir “Hillbilly Elegy,” viewed as a decoder of Appalachian culture, has spent nearly a year crowning the bestseller list.

“I happen to love the coal miners,” declared President Trump in June, announcing the U.S. withdrawal from the Paris climate accord. Trump has welcomed coal miners and executives to the White House for a photo op, the first in ages, and declared “an end to the war on coal” — a term minted by an industry association — at a time when even the Kentucky Coal Museum is switching to solar energy.


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